Clifford Geertz (1926-2006) was perhaps the most influential anthropologist of our time, but his influence extended far beyond his field to encompass all facets of contemporary life. Nowhere were his gifts for directness, humor, and steady revelation more evident than in the pages of "The New York Review of Books", where for nearly four decades he shared his acute vision of the...(展开全部)

Clifford Geertz (1926-2006) was perhaps the most influential anthropologist of our time, but his influence extended far beyond his field to encompass all facets of contemporary life. Nowhere were his gifts for directness, humor, and steady revelation more evident than in the pages of the "New York Review of Books," where for nearly four decades he shared his acute vision of the...(展开全部)

Clifford Geertz (1926-2006) was perhaps the most influential anthropologist of our time, but his influence extended far beyond his field to encompass all facets of contemporary life. Nowhere were his gifts for directness, humor, and steady revelation more evident than in the pages of "The New York Review of Books", where for nearly four decades he shared his acute vision of the...(展开全部)

Clifford Geertz (1926-2006) was perhaps the most influential anthropologist of our time, but his influence extended far beyond his field to encompass all facets of contemporary life. Nowhere were his gifts for directness, humor, and steady revelation more evident than in the pages of the "New York Review of Books," where for nearly four decades he shared his acute vision of the...(展开全部)

Charles Baudelaire (1821-67) was a leading poet and novelist in nineteenth who also devoted a considerable amount of his time to criticism. Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early stage - in 1845 - he was already articulating the need for a painter who could depict the heroism of modern life. This he was t...(展开全部)

In this collection of essays, five previously published and three new in this volume, a western historian of Chinese art examines the received ideas of art history from the vantage point of another culture. On the premise that what we feel a need to explain and how we explain it alike depend on what we assume to be normal, the essays all adopt a comparative approach. Whatever b...(展开全部)

In this collection of essays, five previously published and three new in this volume, a western historian of Chinese art examines the received ideas of art history from the vantage point of another culture. On the premise that what we feel a need to explain and how we explain it alike depend on what we assume to be normal, the essays all adopt a comparative approach. Whatever b...(展开全部)

Women, Art, and Power-seven landmark essays on women artists and women in art history-brings together the work of almost twenty years of scholarship and speculation.

Women, Art, and Power-seven landmark essays on women artists and women in art history-brings together the work of almost twenty years of scholarship and speculation.

Shils, Edwar，美国著名社会学家、教育家、功能主义学派的领袖人物之一，亦是研究Max Weber的专家。现任芝加哥大学教授。 希尔斯本人的政治立场是保守主义的，他用毕生的精力来捍卫传统的研究型大学,认为传统的研究型大学在现代社会中发挥着重要的功能。其作品着重探讨学术自由与外部权威之间的矛盾关系，及学者的政治自由问题，为学术自由的研究开辟了新的视野。 著有：《知识份子与当权者》（The Intellectuals and the Powers and Other Essays.1972 ）、《论传统》（On Tradition.1981）等。